Bibliography
By Read
- Read, Herbert Edward Songs of Chaos. London:
- Elkin Mathews, 1915.
- --- "The World and the Guild Idea". The Guildsman.
- no. 5, April 1917, and No. 6, May 1917.
- --- "Definitions Towards a Modern Theory of Poetry."
- Art and Letters. vol.1, no. 3, pp. 73-8. January 1918.
- --- Naked Warriors. London:
- Art & Letters, 1919.
- --- Auguries of Life and Death.
- privately published, 1919.
- --- Eclogues: A Book of Poems. London:
- C.W. Beaumont, 1919.
- --- "Review of Russell's 'Analysis of Mind'. The New Age.
- vol. 24, no. 18, September 1, 1921, pp. 211-12.
- --- Mutations of the Phoenix.
- London: The Hogarth Press, 1923.
- --- "Psychoanalysis and the Critic". The Criterion.
- vol. III, pp. 214-30. 1924-5.
- --- "Review of Fry, 'The Artist and Psychoanalysis'". The Criterion.
- vol. III, pp. 471-2. 1924-5.
- --- English Pottery: its Developent from Early
- Times to the End of the Eighteenth Century. with Bernard Rackham, London: Ernest Benn, 1924.
- --- In Retreat. London:
- The Hogarth Press, 1925.
- --- English Stained Glass. London:
- and New York: G.P. Putnam, 1926.
- --- Reason and Romanticism. London:
- Faber & Gwyer, 1926.
- --- Collected Poems, 1913-25. London:
- Faber & Gwyer, 1926.
- --- "Notes on the Originality of Thought". The Criterion.
- vol. 6, no. 4, pp. 363-9, 1927.
- --- English Prose Style. London:
- G. Bell, 1928.
- --- Phases of English Poetry.
- London: The Hogarth Press, 1928.
- --- The Sense of Glory: Essays in Criticism.
- Cambridge: University Press, 1929.
- --- Notes on Language and Style by T.E., Hulme.
- edited by Read. Seattle: University of Washington, 1929.
- --- "The Meaning of Art." The Listener.
- vol. II, supplement no. 1. September 25, 1929.
- --- Staffordshire Pottery Figures.
- London: Duckworth, 1929.
- --- Ambush. London: Faber
- & Faber, 1930.
- --- Wordsworth. London:
- Jonathan Cape, 1930.
- --- Julian Benda and the New Humanism.
- Seattle: University of Washington, 1930.
- --- "Beyond Realism". The Listener.
- vol. III, p. 679, 1930.
- --- The Meaning of Art.
- London: Faber & Faber, 1931.
- --- The London Book of English Prose.
- Selected and ordered by Read and Bonamy Dobrée. London: Eyre & Spottiswoode, 1931.
- --- The Place of Art in a University.
- Edinburgh: Oliver & Boyd, 1931.
- --- Form in Modern Poetry.
- London: Sheed & Ward, 1932.
- --- The Anatomy of Art: An Introduction to the
- Problems of Art and Aesthetics. New York: Dodd, Mead and Company 1932.
- --- Art Now: An Introduction to the
- Theory of Modern Painting and Sculpture. London: Faber & Faber, 1933.
- --- The End of a War.
- London: Faber & Faber, 1933.
- --- The English Vision: An Anthology.
- London: Eyre & Spottiswode, 1933.
- --- The Innocent Eye.
- London: Faber & Faber, 1933.
- --- Art and Industry: The
- Principles of Industrial Design. London: Faber & Faber, 1934.
- --- Henry Moore, Sculptor: An Appreciation.
- London: Zwemmer, 1934.
- --- Essential Communism.
- London: S. Nott, 1935.
- --- The Green Child: A Romance.
- London: William Heinemann, 1935.
- --- The Meaning of Art.
- London: Faber & Faber, 1935.
- --- Poems, 1914-34.
- London: Faber & Faber, 1935.
- --- Icon and Idea: The Function of Art
- in the Development of Human Consciousness. London: Farber & Farber, 1935.
- --- In Defence of Shelley and Other Essays.
- London: William Heinemann, 1936.
- --- Surrealsim. Edited with an Introduction
- by Read, London: Faber & Faber, 1936.
- --- Art and Society. London: William
- Heinemann Ltd., 1937.
- --- Paul Nash. London:
- Soho Gallery, 1937.
- --- "Why I am a Surrealist". New English Weekly.
- vol. 10, pp. 413-14. March 4, 1937.
- --- Poetry and Anarchism. London:
- Faber & Faber, 1938.
- --- Collected Essays in Literary Criticism.
- London: Faber & Faber, 1938.
- --- The Knapsack: A Pocket-Book of Prose and Verse.
- London: G. Routledge, 1939.
- --- The Philosophy of Anarchism.
- London: Freedom Press Distributors, 1940.
- --- Annals of Innocence and Experience
- London: Faber & Faber, 1940.
- --- Thirty-five Poems
- London: Faber & Faber, 1940.
- --- To Hell with Culture.
- London: Kegan Paul, 1941.
- --- Kropotkin: Selections from his Writings.
- London: Freedom Press, 1942.
- --- Education through Art.
- London: Faber & Faber, 1943.
- --- Education of Free Men.
- London: Freedom Press, 1944.
- --- Paul Nash.
- Harmondsworth: Penguin Books, 1944.
- --- A World Within a War. London:
- Faber & Faber, 1944.
- --- Anarchy and Order: Essays in Politics.
- London: Faber & Faber, 1945.
- --- A Coat of Many Colours: Occasional Essays.
- London: Routledge, 1945.
- --- Freedom: Is It a Crime?.
- London: Freedom Press, 1945.
- --- Collected Poems. London:
- Faber & Faber, 1946. Revised edition, 1953, 1966.
- --- The Future of Industrial Design London:
- Design & Industries Association, 1946.
- --- "Why I was inspired by Nietzsche." The Listener.
- vol. 38, February 13, 1947, pp. 295-6. London: Drummond, 1947.
- --- The Grass Roots of Art.
- London: Drummond, 1947.
- --- The Innocent Eye. New York:
- Henry Holt and Company, 1947.
- --- Youth and Leisure.
- Peterborough: Peterborough Education Board, 1947.
- --- Culture and Education in World Order.
- New York: Museum of Modern Art, 1948.
- --- Klee (1879-1940). London:
- Faber & Faber, 1948.
- --- Ben Nicholson: Paintings, Reliefs, Drawings.
- introduction by Read, London: Lund, Humphries, 1948.
- --- Coleridge as Critic. London:
- Faber & Faber, 1949.
- --- Existentialism, Marxism, and Anarchism.
- London: Freedom Press, 1949.
- --- Education for Peace. New York:
- Scribner, 1949.
- --- Gauguin (1848-1903). London:
- Faber & Faber, 1949.
- --- The London Book of English Verse.
- Selected and ordered by Read and Bonamy Dobrée. London: Eyre & Spottiswoode, 1949.
- --- Art and the Evolution of Man: Lecture
- delivered at Conway Hall, London, on April 10, 1951. London: Freedom Press, 1951.
- --- Byron. London and New York:
- Published for the British Council by Longmans, Green, 1951.
- --- Contemporary British Art.
- Harmondsworth: Penguin Books, 1951.
- --- Form in Modern Poetry.
- London: Sheed & Ward, 1952.
- --- The True Voice of Feeling: Studies in English
- Romantic Poetry. London: Faber & Faber, 1953.
- --- The Politics of the Unpolitical
- London: Routledge, 1953.
- --- Moon's Farm and Poems Mainly Elegiac.
- London: Faber & Faber, 1955.
- --- Icon and Idea: The Function of Art in the
- Developmenht of Human Consciousness. London: Faber & Faber, 1955.
- --- Art and Sculpture. London:
- Faber & Faber, 1956.
- --- The Nature of Literature. New York:
- Horizon Press, 1956.
- --- This Way Delight: A Book of Poetry for the Young.
- (Selected and introduced by Read.) New York: Pantheon, 1956.
- --- The Psychopathology of Reaction in the Arts.
- London: Institute of Contemporary Arts, 1956.
- --- The Significance of Children's Art.
- Vancouver: University of British Columbia, 1957.
- --- Lynn Chadwick. Amriswill:
- Bodensee-Verlag, 1958.
- --- The Tenth Muse: Essays in Criticism.
- London: Routledge & Kegan Paul, 1957.
- --- Kandinsky (1866-1944). London:
- Faber & Faber, 1959.
- --- A Concise History of Modern Painting. London:
- Thames & Hudson, 1959.
- --- The Forms of Things Unknown:
- Essays Towards an Aesthetic Philosophy. London: Faber & Faber, 1960.
- --- The Parliament of Women: A Drama in Three Acts.
- Huntingdon: Vine Press, 1960.
- --- Truth Is More Sacred. With Edward Dahlberg
- London: Routledge & Kegan Paul, 1961.
- --- Aristotle's Mother: An Imaginary Conversation.
- North Harrow: Philip Ward, 1961.
- --- "A Nest of Gentle Artists," Apollo.
- vol. 67, no. 7, September 1962, pp/ 536-8.
- --- Vocal Avowals. St. Gallen:
- Tschudy-Verlag, 1962.
- --- A Letter to a Young Painter. London:
- Thames & Hudson, 1962.
- --- Design and Tradition. Hemingford Grey:
- Vine Press, 1962.
- --- The Contrary Experience: Autobiographies.
- London: Faber & Faber, 1963.
- --- Selected Writings: Poetry and Criticism.
- London: Faber & Faber, 1963.
- --- Lord Byron at the Opera: A Play for Broadcasting.
- North Harrow: Philip Ward, 1963.
- --- A Concise History of Modern Sculpture. London:
- Thames & Hudson, 1964.
- --- The Origins of Form in Art.
- London: Thames & Hudson, 1965.
- --- The Styles of European Art.
- London: Thames & Hudson, 1965.
- --- Henry Moore, A Study of His Life and Work.
- London: Thames & Hudson, 1965.
- --- High Noon and Darkest Night.
- Middletown, CT: Center for Advanced Studies, Wesleyan University, 1965.
- --- The Redemption of the Robot: My Encounter with Education
- Through Art. New York: Trident Press, 1966.
- --- T.S.E.: A Memoir.
- Middleton: Center for Advanced Studies, Wesleyan University, 1967.
- --- Art and Alienation: The Role of the Artist in Society.
- London: Thames & Hudson, 1967.
- --- Poetry and Experience. London:
- Vision, 1967.
- --- The Cult of Sincerity.
- London: Faber & Faber, 1968.
- --- Arp. London:
- Thames & Hudson, 1968.
- --- "Kropotkin: the Master." Meet Kropotkin.
- The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d.
About Read
- Berry, Francis. Herbert Read. London:
- Longmans Green for the British Council, 1953.
- Goodway, David, ed. (1988). Herbert Read Reassessed
- Liverpool: Liverpool University Press.
- Harder, W.T. A Certain Order: The Development of Herbert Read's Theory.
- The Hague: Mouton, 1971.
- King, James. The Last Modern: A Life of Herbert Read. London:
- Weidenfeld & Nicolson, 1990.
- Paraskos, Michael, ed. (2007), Re-Reading Read: Critical Views on Herbert Read
- London: Freedom Press.
- Read, Benedict and David Thistlewood, eds. (1993). Herbert Read:
- A British Vision of World Art. London: Lund Humphries.
- Reichert, William O. "The 'Unpolitical Philosophy' of Sir Herbert Read".
- Arts in Society. (Summer, 1968), 129-41.
- Skelton, Robin (ed.). Herbert Read: A Memorial Symposium. London:
- Methuen, 1970.
- Thistlewood, D. Herbert Read: Formlessness and Form. Boston:
- Routledge & Kegan Paul, 1984.
- Treece, Henry. Herbert Read: An Introduction to His Work by Various Hands.
- London: Faber &amnp; Faber, 1944.
- Tribute to Herbert Read. Bradford:
- City of Bradford Metropolitan Council Art Galleries and Museum, 1975.
- Woodcock, George. Herbert Read: The Stream and the Source. London:
- Faber & Faber, 1972.
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