Robert Minor : Biography 
   Robert Minor was born in San Antonio, Texas  in 1884 and began to draw, paint and sketch in between odd jobs.  Employment was scarce so he amused himself by  making cartoons and in 1904 he was hired as a cartoonist by the San Antonio Gazette. He was   then hired by  the St. Louis Post-Dispatch after he  moved to St. Louis.  He became slightly fed up with his lack of  training and when the editor of the New  York Evening World offered him a job in 1912 doing seven cartoons a week  with a higher salary and leave to study art in Paris, he took advantage of the oppurtunity!   He left for Paris  in early 1913 and was enrolled in art school, but did not appreciate the staunch  “academicism” so he educated himself by studying the work of El Greco,  Delacroix, and Daumier at the Louvre.  He  especially liked the way Daumier depicted the struggle between the  classes so he would go to the working-class sections of the city to sketch  scenes and discuss revolutionary politics with members of the French  anarchist-syndicalist movement.
   He had joined the Socialist Party  in 1907, but was more inclined toward the revolutionary direct action of the  Industrial Workers of the World (IWW) and quit when the party condemned IWW  tactics in 1912.  He realized that the  French militants he had conversed with were right and he claimed himself to be  an anarchist when he returned to America.  He totally opposed World War I and only when  the United States  entered the war was he ordered to stop drawing anti-war cartoons.  He decided to contribute cartoons to the  radical jounrnal The Masses, but it  was also  forced to stop  publication.  He was jailed for his  anti-war propaganda but never convicted and was released in January 1919 since the  war was over.
   He was a cartoonist and writer for The Liberator and in 1924 he helped  create the Daily Worker.  When the Spanish Civil War began in 1936  Minor went to Spain  to organize the Abraham Lincoln Battalion, which was an international volunteer  unit that helped the Spanish Popular Front government face General Franco and  the fascists.  He was always a very  politically active cartoonist and constant supporter of woman suffrage  contributing to feminist journals like Woman’s  Jounral and Woman Voter.  He campaigned for Black Civil Rights and  exposed the involvement of white politicians involved with lynching  activities.  Minor was bedridden during  the terror of the random arrests of theMcCarthy period for involvement with the  American Communist Party because he had a heart attack in 1948.  He died in 1952 with a collection of works  that truly depicted what was actually going on.   As he said himself his cartoons were “not to be colored by the sheen of  gold lace or the glare of glory, not would they be tragic, sad, or  horrific.”  Instead, he would depict “the  thing as he sees it, for the God of Things as They Are!”  (Alan Antliff, 189)