Bibliography

By Read

Read, Herbert Edward Songs of Chaos. London:

Elkin Mathews, 1915.

--- "The World and the Guild Idea". The Guildsman.

no. 5, April 1917, and No. 6, May 1917.

--- "Definitions Towards a Modern Theory of Poetry."

Art and Letters. vol.1, no. 3, pp. 73-8. January 1918.

--- Naked Warriors. London:

Art & Letters, 1919.

--- Auguries of Life and Death.

privately published, 1919.

--- Eclogues: A Book of Poems. London:

C.W. Beaumont, 1919.

--- "Review of Russell's 'Analysis of Mind'. The New Age.

vol. 24, no. 18, September 1, 1921, pp. 211-12.

--- Mutations of the Phoenix.

London: The Hogarth Press, 1923.

--- "Psychoanalysis and the Critic". The Criterion.

vol. III, pp. 214-30. 1924-5.

--- "Review of Fry, 'The Artist and Psychoanalysis'". The Criterion.

vol. III, pp. 471-2. 1924-5.

--- English Pottery: its Developent from Early

Times to the End of the Eighteenth Century. with Bernard Rackham, London: Ernest Benn, 1924.

--- In Retreat. London:

The Hogarth Press, 1925.

--- English Stained Glass. London:

and New York: G.P. Putnam, 1926.

--- Reason and Romanticism. London:

Faber & Gwyer, 1926.

--- Collected Poems, 1913-25. London:

Faber & Gwyer, 1926.

--- "Notes on the Originality of Thought". The Criterion.

vol. 6, no. 4, pp. 363-9, 1927.

--- English Prose Style. London:

G. Bell, 1928.

--- Phases of English Poetry.

London: The Hogarth Press, 1928.

--- The Sense of Glory: Essays in Criticism.

Cambridge: University Press, 1929.

--- Notes on Language and Style by T.E., Hulme.

edited by Read. Seattle: University of Washington, 1929.

--- "The Meaning of Art." The Listener.

vol. II, supplement no. 1. September 25, 1929.

--- Staffordshire Pottery Figures.

London: Duckworth, 1929.

--- Ambush. London: Faber

& Faber, 1930.

--- Wordsworth. London:

Jonathan Cape, 1930.

--- Julian Benda and the New Humanism.

Seattle: University of Washington, 1930.

--- "Beyond Realism". The Listener.

vol. III, p. 679, 1930.

--- The Meaning of Art.

London: Faber & Faber, 1931.

--- The London Book of English Prose.

Selected and ordered by Read and Bonamy Dobrée. London: Eyre & Spottiswoode, 1931.

--- The Place of Art in a University.

Edinburgh: Oliver & Boyd, 1931.

--- Form in Modern Poetry.

London: Sheed & Ward, 1932.

--- The Anatomy of Art: An Introduction to the

Problems of Art and Aesthetics. New York: Dodd, Mead and Company 1932.

--- Art Now: An Introduction to the

Theory of Modern Painting and Sculpture. London: Faber & Faber, 1933.

--- The End of a War.

London: Faber & Faber, 1933.

--- The English Vision: An Anthology.

London: Eyre & Spottiswode, 1933.

--- The Innocent Eye.

London: Faber & Faber, 1933.

--- Art and Industry: The

Principles of Industrial Design. London: Faber & Faber, 1934.

--- Henry Moore, Sculptor: An Appreciation.

London: Zwemmer, 1934.

--- Essential Communism.

London: S. Nott, 1935.

--- The Green Child: A Romance.

London: William Heinemann, 1935.

--- The Meaning of Art.

London: Faber & Faber, 1935.

--- Poems, 1914-34.

London: Faber & Faber, 1935.

--- Icon and Idea: The Function of Art

in the Development of Human Consciousness. London: Farber & Farber, 1935.

--- In Defence of Shelley and Other Essays.

London: William Heinemann, 1936.

--- Surrealsim. Edited with an Introduction

by Read, London: Faber & Faber, 1936.

--- Art and Society. London: William

Heinemann Ltd., 1937.

--- Paul Nash. London:

Soho Gallery, 1937.

--- "Why I am a Surrealist". New English Weekly.

vol. 10, pp. 413-14. March 4, 1937.

--- Poetry and Anarchism. London:

Faber & Faber, 1938.

--- Collected Essays in Literary Criticism.

London: Faber & Faber, 1938.

--- The Knapsack: A Pocket-Book of Prose and Verse.

London: G. Routledge, 1939.

--- The Philosophy of Anarchism.

London: Freedom Press Distributors, 1940.

--- Annals of Innocence and Experience

London: Faber & Faber, 1940.

--- Thirty-five Poems

London: Faber & Faber, 1940.

--- To Hell with Culture.

London: Kegan Paul, 1941.

--- Kropotkin: Selections from his Writings.

London: Freedom Press, 1942.

--- Education through Art.

London: Faber & Faber, 1943.

--- Education of Free Men.

London: Freedom Press, 1944.

--- Paul Nash.

Harmondsworth: Penguin Books, 1944.

--- A World Within a War. London:

Faber & Faber, 1944.

--- Anarchy and Order: Essays in Politics.

London: Faber & Faber, 1945.

--- A Coat of Many Colours: Occasional Essays.

London: Routledge, 1945.

--- Freedom: Is It a Crime?.

London: Freedom Press, 1945.

--- Collected Poems. London:

Faber & Faber, 1946. Revised edition, 1953, 1966.

--- The Future of Industrial Design London:

Design & Industries Association, 1946.

--- "Why I was inspired by Nietzsche." The Listener.

vol. 38, February 13, 1947, pp. 295-6. London: Drummond, 1947.

--- The Grass Roots of Art.

London: Drummond, 1947.

--- The Innocent Eye. New York:

Henry Holt and Company, 1947.

--- Youth and Leisure.

Peterborough: Peterborough Education Board, 1947.

--- Culture and Education in World Order.

New York: Museum of Modern Art, 1948.

--- Klee (1879-1940). London:

Faber & Faber, 1948.

--- Ben Nicholson: Paintings, Reliefs, Drawings.

introduction by Read, London: Lund, Humphries, 1948.

--- Coleridge as Critic. London:

Faber & Faber, 1949.

--- Existentialism, Marxism, and Anarchism.

London: Freedom Press, 1949.

--- Education for Peace. New York:

Scribner, 1949.

--- Gauguin (1848-1903). London:

Faber & Faber, 1949.

--- The London Book of English Verse.

Selected and ordered by Read and Bonamy Dobrée. London: Eyre & Spottiswoode, 1949.

--- Art and the Evolution of Man: Lecture

delivered at Conway Hall, London, on April 10, 1951. London: Freedom Press, 1951.

--- Byron. London and New York:

Published for the British Council by Longmans, Green, 1951.

--- Contemporary British Art.

Harmondsworth: Penguin Books, 1951.

--- Form in Modern Poetry.

London: Sheed & Ward, 1952.

--- The True Voice of Feeling: Studies in English

Romantic Poetry. London: Faber & Faber, 1953.

--- The Politics of the Unpolitical

London: Routledge, 1953.

--- Moon's Farm and Poems Mainly Elegiac.

London: Faber & Faber, 1955.

--- Icon and Idea: The Function of Art in the

Developmenht of Human Consciousness. London: Faber & Faber, 1955.

--- Art and Sculpture. London:

Faber & Faber, 1956.

--- The Nature of Literature. New York:

Horizon Press, 1956.

--- This Way Delight: A Book of Poetry for the Young.

(Selected and introduced by Read.) New York: Pantheon, 1956.

--- The Psychopathology of Reaction in the Arts.

London: Institute of Contemporary Arts, 1956.

--- The Significance of Children's Art.

Vancouver: University of British Columbia, 1957.

--- Lynn Chadwick. Amriswill:

Bodensee-Verlag, 1958.

--- The Tenth Muse: Essays in Criticism.

London: Routledge & Kegan Paul, 1957.

--- Kandinsky (1866-1944). London:

Faber & Faber, 1959.

--- A Concise History of Modern Painting. London:

Thames & Hudson, 1959.

--- The Forms of Things Unknown:

Essays Towards an Aesthetic Philosophy. London: Faber & Faber, 1960.

--- The Parliament of Women: A Drama in Three Acts.

Huntingdon: Vine Press, 1960.

--- Truth Is More Sacred. With Edward Dahlberg

London: Routledge & Kegan Paul, 1961.

--- Aristotle's Mother: An Imaginary Conversation.

North Harrow: Philip Ward, 1961.

--- "A Nest of Gentle Artists," Apollo.

vol. 67, no. 7, September 1962, pp/ 536-8.

--- Vocal Avowals. St. Gallen:

Tschudy-Verlag, 1962.

--- A Letter to a Young Painter. London:

Thames & Hudson, 1962.

--- Design and Tradition. Hemingford Grey:

Vine Press, 1962.

--- The Contrary Experience: Autobiographies.

London: Faber & Faber, 1963.

--- Selected Writings: Poetry and Criticism.

London: Faber & Faber, 1963.

--- Lord Byron at the Opera: A Play for Broadcasting.

North Harrow: Philip Ward, 1963.

--- A Concise History of Modern Sculpture. London:

Thames & Hudson, 1964.

--- The Origins of Form in Art.

London: Thames & Hudson, 1965.

--- The Styles of European Art.

London: Thames & Hudson, 1965.

--- Henry Moore, A Study of His Life and Work.

London: Thames & Hudson, 1965.

--- High Noon and Darkest Night.

Middletown, CT: Center for Advanced Studies, Wesleyan University, 1965.

--- The Redemption of the Robot: My Encounter with Education

Through Art. New York: Trident Press, 1966.

--- T.S.E.: A Memoir.

Middleton: Center for Advanced Studies, Wesleyan University, 1967.

--- Art and Alienation: The Role of the Artist in Society.

London: Thames & Hudson, 1967.

--- Poetry and Experience. London:

Vision, 1967.

--- The Cult of Sincerity.

London: Faber & Faber, 1968.

--- Arp. London:

Thames & Hudson, 1968.

--- "Kropotkin: the Master." Meet Kropotkin.

The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d.

About Read

Berry, Francis. Herbert Read. London:

Longmans Green for the British Council, 1953.

Goodway, David, ed. (1988). Herbert Read Reassessed

Liverpool: Liverpool University Press.

Harder, W.T. A Certain Order: The Development of Herbert Read's Theory.

The Hague: Mouton, 1971.

King, James. The Last Modern: A Life of Herbert Read. London:

Weidenfeld & Nicolson, 1990.

Paraskos, Michael, ed. (2007), Re-Reading Read: Critical Views on Herbert Read

London: Freedom Press.

Read, Benedict and David Thistlewood, eds. (1993). Herbert Read:

A British Vision of World Art. London: Lund Humphries.

Reichert, William O. "The 'Unpolitical Philosophy' of Sir Herbert Read".

Arts in Society. (Summer, 1968), 129-41.

Skelton, Robin (ed.). Herbert Read: A Memorial Symposium. London:

Methuen, 1970.

Thistlewood, D. Herbert Read: Formlessness and Form. Boston:

Routledge & Kegan Paul, 1984.

Treece, Henry. Herbert Read: An Introduction to His Work by Various Hands.

London: Faber &amnp; Faber, 1944.

Tribute to Herbert Read. Bradford:

City of Bradford Metropolitan Council Art Galleries and Museum, 1975.

Woodcock, George. Herbert Read: The Stream and the Source. London:

Faber & Faber, 1972.