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Bibliography


By Read

Read, Herbert Edward Songs of Chaos. London:
Elkin Mathews, 1915.
--- "The World and the Guild Idea". The Guildsman.
no. 5, April 1917, and No. 6, May 1917.
--- "Definitions Towards a Modern Theory of Poetry."
Art and Letters. vol.1, no. 3, pp. 73-8. January 1918.
--- Naked Warriors. London:
Art & Letters, 1919.
--- Auguries of Life and Death.
privately published, 1919.
--- Eclogues: A Book of Poems. London:
C.W. Beaumont, 1919.
--- "Review of Russell's 'Analysis of Mind'. The New Age.
vol. 24, no. 18, September 1, 1921, pp. 211-12.
--- Mutations of the Phoenix.
London: The Hogarth Press, 1923.
--- "Psychoanalysis and the Critic". The Criterion.
vol. III, pp. 214-30. 1924-5.
--- "Review of Fry, 'The Artist and Psychoanalysis'". The Criterion.
vol. III, pp. 471-2. 1924-5.
--- English Pottery: its Developent from Early
Times to the End of the Eighteenth Century. with Bernard Rackham, London: Ernest Benn, 1924.
--- In Retreat. London:
The Hogarth Press, 1925.
--- English Stained Glass. London:
and New York: G.P. Putnam, 1926.
--- Reason and Romanticism. London:
Faber & Gwyer, 1926.
--- Collected Poems, 1913-25. London:
Faber & Gwyer, 1926.
--- "Notes on the Originality of Thought". The Criterion.
vol. 6, no. 4, pp. 363-9, 1927.
--- English Prose Style. London:
G. Bell, 1928.
--- Phases of English Poetry.
London: The Hogarth Press, 1928.
--- The Sense of Glory: Essays in Criticism.
Cambridge: University Press, 1929.
--- Notes on Language and Style by T.E., Hulme.
edited by Read. Seattle: University of Washington, 1929.
--- "The Meaning of Art." The Listener.
vol. II, supplement no. 1. September 25, 1929.
--- Staffordshire Pottery Figures.
London: Duckworth, 1929.
--- Ambush. London: Faber
& Faber, 1930.
--- Wordsworth. London:
Jonathan Cape, 1930.
--- Julian Benda and the New Humanism.
Seattle: University of Washington, 1930.
--- "Beyond Realism". The Listener.
vol. III, p. 679, 1930.
--- The Meaning of Art.
London: Faber & Faber, 1931.
--- The London Book of English Prose.
Selected and ordered by Read and Bonamy Dobrée. London: Eyre & Spottiswoode, 1931.
--- The Place of Art in a University.
Edinburgh: Oliver & Boyd, 1931.
--- Form in Modern Poetry.
London: Sheed & Ward, 1932.
--- The Anatomy of Art: An Introduction to the
Problems of Art and Aesthetics. New York: Dodd, Mead and Company 1932.
--- Art Now: An Introduction to the
Theory of Modern Painting and Sculpture. London: Faber & Faber, 1933.
--- The End of a War.
London: Faber & Faber, 1933.
--- The English Vision: An Anthology.
London: Eyre & Spottiswode, 1933.
--- The Innocent Eye.
London: Faber & Faber, 1933.
--- Art and Industry: The
Principles of Industrial Design. London: Faber & Faber, 1934.
--- Henry Moore, Sculptor: An Appreciation.
London: Zwemmer, 1934.
--- Essential Communism.
London: S. Nott, 1935.
--- The Green Child: A Romance.
London: William Heinemann, 1935.
--- The Meaning of Art.
London: Faber & Faber, 1935.
--- Poems, 1914-34.
London: Faber & Faber, 1935.
--- Icon and Idea: The Function of Art
in the Development of Human Consciousness. London: Farber & Farber, 1935.
--- In Defence of Shelley and Other Essays.
London: William Heinemann, 1936.
--- Surrealsim. Edited with an Introduction
by Read, London: Faber & Faber, 1936.
--- Art and Society. London: William
Heinemann Ltd., 1937.
--- Paul Nash. London:
Soho Gallery, 1937.
--- "Why I am a Surrealist". New English Weekly.
vol. 10, pp. 413-14. March 4, 1937.
--- Poetry and Anarchism. London:
Faber & Faber, 1938.
--- Collected Essays in Literary Criticism.
London: Faber & Faber, 1938.
--- The Knapsack: A Pocket-Book of Prose and Verse.
London: G. Routledge, 1939.
--- The Philosophy of Anarchism.
London: Freedom Press Distributors, 1940.
--- Annals of Innocence and Experience
London: Faber & Faber, 1940.
--- Thirty-five Poems
London: Faber & Faber, 1940.
--- To Hell with Culture.
London: Kegan Paul, 1941.
--- Kropotkin: Selections from his Writings.
London: Freedom Press, 1942.
--- Education through Art.
London: Faber & Faber, 1943.
--- Education of Free Men.
London: Freedom Press, 1944.
--- Paul Nash.
Harmondsworth: Penguin Books, 1944.
--- A World Within a War. London:
Faber & Faber, 1944.
--- Anarchy and Order: Essays in Politics.
London: Faber & Faber, 1945.
--- A Coat of Many Colours: Occasional Essays.
London: Routledge, 1945.
--- Freedom: Is It a Crime?.
London: Freedom Press, 1945.
--- Collected Poems. London:
Faber & Faber, 1946. Revised edition, 1953, 1966.
--- The Future of Industrial Design London:
Design & Industries Association, 1946.
--- "Why I was inspired by Nietzsche." The Listener.
vol. 38, February 13, 1947, pp. 295-6. London: Drummond, 1947.
--- The Grass Roots of Art.
London: Drummond, 1947.
--- The Innocent Eye. New York:
Henry Holt and Company, 1947.
--- Youth and Leisure.
Peterborough: Peterborough Education Board, 1947.
--- Culture and Education in World Order.
New York: Museum of Modern Art, 1948.
--- Klee (1879-1940). London:
Faber & Faber, 1948.
--- Ben Nicholson: Paintings, Reliefs, Drawings.
introduction by Read, London: Lund, Humphries, 1948.
--- Coleridge as Critic. London:
Faber & Faber, 1949.
--- Existentialism, Marxism, and Anarchism.
London: Freedom Press, 1949.
--- Education for Peace. New York:
Scribner, 1949.
--- Gauguin (1848-1903). London:
Faber & Faber, 1949.
--- The London Book of English Verse.
Selected and ordered by Read and Bonamy Dobrée. London: Eyre & Spottiswoode, 1949.
--- Art and the Evolution of Man: Lecture
delivered at Conway Hall, London, on April 10, 1951. London: Freedom Press, 1951.
--- Byron. London and New York:
Published for the British Council by Longmans, Green, 1951.
--- Contemporary British Art.
Harmondsworth: Penguin Books, 1951.
--- Form in Modern Poetry.
London: Sheed & Ward, 1952.
--- The True Voice of Feeling: Studies in English
Romantic Poetry. London: Faber & Faber, 1953.
--- The Politics of the Unpolitical
London: Routledge, 1953.
--- Moon's Farm and Poems Mainly Elegiac.
London: Faber & Faber, 1955.
--- Icon and Idea: The Function of Art in the
Developmenht of Human Consciousness. London: Faber & Faber, 1955.
--- Art and Sculpture. London:
Faber & Faber, 1956.
--- The Nature of Literature. New York:
Horizon Press, 1956.
--- This Way Delight: A Book of Poetry for the Young.
(Selected and introduced by Read.) New York: Pantheon, 1956.
--- The Psychopathology of Reaction in the Arts.
London: Institute of Contemporary Arts, 1956.
--- The Significance of Children's Art.
Vancouver: University of British Columbia, 1957.
--- Lynn Chadwick. Amriswill:
Bodensee-Verlag, 1958.
--- The Tenth Muse: Essays in Criticism.
London: Routledge & Kegan Paul, 1957.
--- Kandinsky (1866-1944). London:
Faber & Faber, 1959.
--- A Concise History of Modern Painting. London:
Thames & Hudson, 1959.
--- The Forms of Things Unknown:
Essays Towards an Aesthetic Philosophy. London: Faber & Faber, 1960.
--- The Parliament of Women: A Drama in Three Acts.
Huntingdon: Vine Press, 1960.
--- Truth Is More Sacred. With Edward Dahlberg
London: Routledge & Kegan Paul, 1961.
--- Aristotle's Mother: An Imaginary Conversation.
North Harrow: Philip Ward, 1961.
--- "A Nest of Gentle Artists," Apollo.
vol. 67, no. 7, September 1962, pp/ 536-8.
--- Vocal Avowals. St. Gallen:
Tschudy-Verlag, 1962.
--- A Letter to a Young Painter. London:
Thames & Hudson, 1962.
--- Design and Tradition. Hemingford Grey:
Vine Press, 1962.
--- The Contrary Experience: Autobiographies.
London: Faber & Faber, 1963.
--- Selected Writings: Poetry and Criticism.
London: Faber & Faber, 1963.
--- Lord Byron at the Opera: A Play for Broadcasting.
North Harrow: Philip Ward, 1963.
--- A Concise History of Modern Sculpture. London:
Thames & Hudson, 1964.
--- The Origins of Form in Art.
London: Thames & Hudson, 1965.
--- The Styles of European Art.
London: Thames & Hudson, 1965.
--- Henry Moore, A Study of His Life and Work.
London: Thames & Hudson, 1965.
--- High Noon and Darkest Night.
Middletown, CT: Center for Advanced Studies, Wesleyan University, 1965.
--- The Redemption of the Robot: My Encounter with Education
Through Art. New York: Trident Press, 1966.
--- T.S.E.: A Memoir.
Middleton: Center for Advanced Studies, Wesleyan University, 1967.
--- Art and Alienation: The Role of the Artist in Society.
London: Thames & Hudson, 1967.
--- Poetry and Experience. London:
Vision, 1967.
--- The Cult of Sincerity.
London: Faber & Faber, 1968.
--- Arp. London:
Thames & Hudson, 1968.
--- "Kropotkin: the Master." Meet Kropotkin.
The Salvation Series No. 1. Bombay: The Libertarian Book House, n.d.

About Read

Berry, Francis. Herbert Read. London:
Longmans Green for the British Council, 1953.
Goodway, David, ed. (1988). Herbert Read Reassessed
Liverpool: Liverpool University Press.
Harder, W.T. A Certain Order: The Development of Herbert Read's Theory.
The Hague: Mouton, 1971.
King, James. The Last Modern: A Life of Herbert Read. London:
Weidenfeld & Nicolson, 1990.
Paraskos, Michael, ed. (2007), Re-Reading Read: Critical Views on Herbert Read
London: Freedom Press.
Read, Benedict and David Thistlewood, eds. (1993). Herbert Read:
A British Vision of World Art. London: Lund Humphries.
Reichert, William O. "The 'Unpolitical Philosophy' of Sir Herbert Read".
Arts in Society. (Summer, 1968), 129-41.
Skelton, Robin (ed.). Herbert Read: A Memorial Symposium. London:
Methuen, 1970.
Thistlewood, D. Herbert Read: Formlessness and Form. Boston:
Routledge & Kegan Paul, 1984.
Treece, Henry. Herbert Read: An Introduction to His Work by Various Hands.
London: Faber &amnp; Faber, 1944.
Tribute to Herbert Read. Bradford:
City of Bradford Metropolitan Council Art Galleries and Museum, 1975.
Woodcock, George. Herbert Read: The Stream and the Source. London:
Faber & Faber, 1972.

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