1998 is the 105th anniversary of Octave Mirbeau s birth. I have been asked by Ronald Creagh to write a few paragraphs explaining his significance.
Mirbeau was an enormously productive writer, journalist and activist in late nineteenth and early twentieth century France. His politics were constantly evolving, and it is difficult to pin him down to a single political commitment. As a teenager in the 1860s he was an anti-clerical Republican; in the 1870s and early 1880s he worked as a journalist for the right-wing, particularly Bonapartist, press. During this period he wrote a number of openly anti-semitic and misogynist pieces. Then, in the mid-1880s, he had a dramatic change of heart, rejected the far right, condemned the Boulangist movement, and moved initially to a loosely defined Republican left. By 1890 his political commitments were clearer: he showed a clear preference for the anarchist left, and became friends with Jean Grave and Camille Pissarro. He wrote at length on Impressionism, believing it to be the beginning of a cultural revolution in France.
Despite his increasing physical frailty in the late 1890s, he toured the country trying to rally support for the Dreyfusard cause. In the 1900s he grew disillusioned. He worked with Jaures *Humanite*, but was sceptical about the future of parliamentary socialism. During the First World War he did not support the war effort, but was reluctant to condemn it while French troops were being killed.
During his life he wrote an extraordinary variety of pieces, including: plays, full length novels, travel-writing, political polemics, short stories, reviews of books, music, art and theatre. Many of his shorter works were translated. His two best-known works are *Le Jardin des supplices* [the Torture Garden] and *Le Journal d un femme de chambre* [the Diary of Chambermaid], later to made into a film by Bunuel. One could say that these two works indicate the two sides of his personality: *Le Jardin des Supplices* being a pessimistic, over-lyrical, quasi-erotic novel, probably intended as an extended metaphorical representation of the Dreyfus Affair, while the *Le Journal d une femme de chambre* reveals a warm, humanism, sensitive and understanding of the fate of the powerless in French society.
The best French-language work on him is Jean-Francois Nivet and Pierre Michel, Octave Mirbeau; l Imprecateur au coeur fidele (Paris, 1990); the best English-language work is Reg Carr, Anarchism in France; the Case of Octave Mirbeau (Manchester, 1977).
There are two web-sites devoted to his work.
http://burn.ucsd.edu/~mai/mirbeau.html Contains a brief introduction to Mirbeau, and some well-written English translations